Effects

Ten Band EQ Ten carefully chosen frequencies along with input and output level controls. 18 volt operation for twice the headroom of most EQ pedals.

A classic overdrive circuit with modern modifications for improved performance and versatility.

The M-117R: a reissue of the infamous original.

"Q" Control varies the intensity of the way, Volume Boost for up to +15dB of added gain. Auto-Return function automatically engages effect.

Classic envelope filter sounds. Separate Dry and Effect signal controls. Organic analog tone.

Organic Analog tone. Two independent octave voices. Mid+ Switch adds a midrange boost at user selected frequency.

The famous Buddy Guy's Polka Dots Wah Pedal: One of the most talked about pedals in January 2008 at NAMM Show. Buddy Guy is one of the few living links between modern Rock N Roll and Delta Blues.

Original Wah Wah. True to 1966 Thomas Organ Design. Put your foot down and be heard!

A great sounding Wah Pedal with Fasel Inductor to provide that original voice of Wahs.

Unmistakable Jimi voodoo.

Probably one of the most versatile wah pedals with an extended sweep range and a fine tune knob. The DB-01 also has a Kick In volume boost.

According to Dunlop, that wah is actually a standard Crybaby that had been customized in the early nineties with a High Q inductor and a wider frequency sweep. Collaborations are a good thing, and EVH certainly has an ear for tone.

A great pedal for the old school guitar sounds that other pedals can't offer.

It is without a doubt known that Hendrix is one of the first names you think of when you think of Wah. This is why Dunlop has created this Wah pedal to replicate his original sound 40 years later.

This gold standard of volume controllers is great for pedal steel swells and instant dynamics.

Kirk Hammett's Cry Baby with the skeleton foot on top. It has a lo pass, a hi pass and Kirk's Post EQ. You've heard it on a lot of tracks, it's all in this compact Wah pedal.....

Super high gain distortion. Three band EQ with sweepable mid frequencies. Tight, fast, switchable Noise Gate.

The Blue Box takes your guitar signal and duplicates it two octaves down for a huge, subterranean tone.

Classic EVH flanging tonality!

This gorgeous sounding pedal will remind you how cool chorus can be. Set the Rate and Width controls to your liking and then dial in as much effect as you want with the Intensity knob.

Transparent noise suppression.Three filter cut-off points: Hiss, Mid, or Full Band. Gates out noise slowly when notes are being held and quickly when they are stopped short.

Based on the benchmark sounds of the MXR M117 Flanger, the MXR Micro Flanger features many of the same flanging effects of its big brother, but in a smaller and more convenient size.

Blackstar LT Boost - Boost Pedal

Responsive FET Circuitry from MXR

Delivers everything from overdrive to distortion, Natural, amp-like distortion, Retains your guitar's tone and clarity

Fatten up your tone and strrrrretch your sustain.

Carve, scoop, rumble, and shriek - all at the touch of a switch!

The Dimeä Distortion_not subtle, not pretty.

The M-181 MXR Bass Blowtorch bass overdrive pedal is made to deliver the hottest sounds this side of Hades--from a tube-like growl to full-blown distorted madness.

The MXR M-80 Bass Direct Box with Distortion is more than just a direct box. It's got so many features, you may wonder how you ever did without it! It includes a distortion channel with gain, volume, and blend controls; a noise gate to help keep it clean; a Color control; and 3-band EQ control that lets you dial in any tone you need.